tag:blogger.com,1999:blog-47715196326791760162024-03-05T18:50:29.825-08:00POLISH FILM CLUB 'OKO'WHERE: POLISH CULTURAL CENTER Upstairs • 1714 -18th Avenue • Seattle WA 98122.
WHEN: THIRD FRIDAY of the month • Screening at 7:30 PM (social gathering at 7:00 PM) • Free admission • See you at Kino OKO and thank you for being a film friend!alekshttp://www.blogger.com/profile/14017484473597055832noreply@blogger.comBlogger68125tag:blogger.com,1999:blog-4771519632679176016.post-63439536289617498512020-09-07T22:36:00.006-07:002020-09-07T22:39:51.080-07:00Movies to Watch: Late Summer Nostalgia Virtual Film Festival<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.pffmiami.com/wp-content/uploads/2020/08/late-summer-nostalgia-F2000-1536x1018.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="530" data-original-width="800" height="137" src="https://www.pffmiami.com/wp-content/uploads/2020/08/late-summer-nostalgia-F2000-1536x1018.png" width="206" /></a></div><p><br />Because of the pandemic, our Polish movie screenings are not possible at
this time. So instead, for every month we miss, here is a movie
suggestion to watch at home.<br /></p><p>"The Polish Film Festival Miami, in partnership with the Embassy of Poland
in Washington, D.C., invites you on a journey through Poland in “Late
Summer Nostalgia.” We will present four films that will introduce you to
the less-often tread nooks and crannies of the Polish imagination."</p><p></p><p> <span class="oi732d6d ik7dh3pa d2edcug0 hpfvmrgz qv66sw1b c1et5uql a8c37x1j muag1w35 ew0dbk1b jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m" dir="auto"><span><a class="oajrlxb2 g5ia77u1 qu0x051f esr5mh6w e9989ue4 r7d6kgcz rq0escxv nhd2j8a9 nc684nl6 p7hjln8o kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x jb3vyjys rz4wbd8a qt6c0cv9 a8nywdso i1ao9s8h esuyzwwr f1sip0of lzcic4wl py34i1dx gpro0wi8" href="https://www.pffmiami.com/?fbclid=IwAR15-Y0Cag3vMBb0VfYNfD62D_wb-8LM5nIek2216dAbTgU0xrGhv7yrmwI" rel="nofollow noopener" role="link" tabindex="0" target="_blank">https://www.pffmiami.com/</a></span></span></p><p>8/27 - 9/2 <b>Goodbye, Till Tomorrow (1960)</b>, Dir. Janusz Morgenstern<br />8/27 - 9/9 <b>Double Trouble (2017)</b>, Dir. Marta Karwowska<br />9/03 - 9/9 <b>Papusza (2013)</b>, Dir. Joanna Kos-Krauze & Krzysztof Krauze <br />9/10 - 9/16 <b>Strawberry Wine (2007)</b>, Dir. Dariusz Jabłoński</p><p> <br /></p>Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-21762294932202154542020-06-20T19:17:00.001-07:002020-06-25T09:15:44.873-07:00Movies to Watch: Comedy vs Communism Virtual Film Festival June 20-27<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><a href="https://images.squarespace-cdn.com/content/v1/5aa6d4759772aebd11e6fe04/1591995008810-FNXIOPXQO325JTZ5H6TQ/ke17ZwdGBToddI8pDm48kL8gGXhaO14iufepUSiYx6h7gQa3H78H3Y0txjaiv_0fDoOvxcdMmMKkDsyUqMSsMWxHk725yiiHCCLfrh8O1z5QPOohDIaIeljMHgDF5CVlOqpeNLcJ80NK65_fV7S1UZrG2Zj3sM5EagDHYECcLFwTmKds_rCDmJG7oBXEZabxOpYghpI-Ha_TwZsqqmJXng/Polish+film+festival+graphic.png?format=1500w" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="492" data-original-width="800" height="196" src="https://images.squarespace-cdn.com/content/v1/5aa6d4759772aebd11e6fe04/1591995008810-FNXIOPXQO325JTZ5H6TQ/ke17ZwdGBToddI8pDm48kL8gGXhaO14iufepUSiYx6h7gQa3H78H3Y0txjaiv_0fDoOvxcdMmMKkDsyUqMSsMWxHk725yiiHCCLfrh8O1z5QPOohDIaIeljMHgDF5CVlOqpeNLcJ80NK65_fV7S1UZrG2Zj3sM5EagDHYECcLFwTmKds_rCDmJG7oBXEZabxOpYghpI-Ha_TwZsqqmJXng/Polish+film+festival+graphic.png?format=1500w" width="320" /></a></b></div>
<b>"Comedy vs. Communism: A Retrospective of Polish Cult Comedies from Communist Times </b>celebrates
film as a tool of resistance to totalitarian tyranny and political
satire as a means of beginning the process of reestablishing political
liberty. Please join us in watching these films and then meet with Dr.
Anna Draniewicz, Research Fellow in VOC’s Polish Studies program for a
Q&A during which she will answer the inevitable questions arising
from the films and their portrayal of the surreal life in communist
Poland." (<a href="https://www.victimsofcommunism.org/events/comedy-vs-communism?fbclid=IwAR2nbL-N1UuxZURCtG3kZLPdTmpHS7t4Kyu7HVu2_AvutFJI9Ij8QVTynT8">https://www.victimsofcommunism.org/events/comedy-vs-communism?fbclid=IwAR2nbL-N1UuxZURCtG3kZLPdTmpHS7t4Kyu7HVu2_AvutFJI9Ij8QVTynT8</a>)</div>
Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-38594547129483771712020-06-12T18:49:00.001-07:002020-06-12T18:49:57.467-07:00Short Movie to Watch: FANATYK by Michal Tylka Drama/Comedy (2017) 33 minutesBecause of the pandemic, our Polish movie screenings are not possible at this time. So instead, for every month we miss, here is a movie suggestion to watch at home.<br />
<br />
<b>Fanatic (available on Netflix)</b><br />
<b><br /></b>
Based on famous copy-paste text by Malcolm XD, it is a story about addiction, fanaticism, and obsession. One ordinary family, so many problems.<br />
<br />
Cast: Piotr Cyrwus, Anna Radwan, Marian Dziedziel, Mikolaj Kubacki, Lukasz Szczepanowski<br />
<br />
Trailer (in Polish):<br />
<br />
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/dxSe4RMvsQc" width="560"></iframe>Kingahttp://www.blogger.com/profile/05070717278268074546noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-37178552770647201972020-06-06T10:38:00.003-07:002020-06-06T10:51:11.387-07:00Movie to Watch: UCIECZKA Z KINA WOLNOŚĆ by Wojciech Marczewski (1990) Comedy/Drama/Fantasy 92 minutes<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://i2.wp.com/thegeekshow.co.uk/wp-content/uploads/2016/01/libertycinemabanner.jpg?w=600" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="337" data-original-width="600" height="111" src="https://i2.wp.com/thegeekshow.co.uk/wp-content/uploads/2016/01/libertycinemabanner.jpg?w=600" width="200" /></a></div>
Because of the pandemic our Polish movie screenings are no longer
possible. So instead, for every month we miss, a movie suggestion to
watch from home. This is episode 4 of the series, our June
replacement.<br />
<br />
<b>Ucieczka z kina Wolność (Escape from the Liberty Cinema), available on Netflix and Amazon Prime</b><br />
This absurdist black comedy, a winner of several Polish Film Festival awards, follows the state censor, played by Janusz Gajos, and his daily life of
altering press statements or modifying film dialogues. He appreciates the cat-and-mouse game of trying to suppress
anything forbidden in the face of steady efforts to sneak something past
him. To him, "Censorship is necessary. Censorship is an art. A good censor should be an artist." However, one day at the Liberty
Cinema, a commercial movie theater near his offices, the characters on
the movie screen start speaking out of character and refuse to speak the
lines written for them. They are even joined by Tom Baxter, a character from Woody Allen’s <b><i>Purple Rose of Cairo</i></b> (1985), who ends up on the screen because of a mash-up in the projection room. <b><i>Escape from the Liberty Cinema</i></b> is a film about the boundaries between the reality and fiction and about the freedom of expression: "This was a mutiny of matter. People have stopped revolting and so the rebellion has moved to matter." If you are interested to read more before watching, this is probably the best movie review I have found: <a href="https://eefb.org/retrospectives/wojciech-marczewskis-escape-from-the-liberty-cinema-ucieczka-z-kina-wolnosc-1990/">https://eefb.org/retrospectives/wojciech-marczewskis-escape-from-the-liberty-cinema-ucieczka-z-kina-wolnosc-1990/</a><br />
<br />
(https://www.rottentomatoes.com/m/the_escape_from_the_liberty_cinema, http://thegeekshow.co.uk/2016/01/11/escape-from-liberty-cinema/, https://eefb.org/retrospectives/wojciech-marczewskis-escape-from-the-liberty-cinema-ucieczka-z-kina-wolnosc-1990/)<br />
<br />
Cast: Janusz Gajos, Zbigniew Zamachowski, Piotr Fronczewski, Teresa Marczewska, Władysław Kowalski<br />
<br />
Trailer:<br />
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Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-36663609313534061992020-05-29T14:30:00.000-07:002020-05-29T14:30:43.939-07:00Series to watch: ROJST by Jan Holoubek (2018) Drama/Crime (5 Episodes)Because of the pandemic, our Polish movie screenings are not possible at this time. So instead, for every month we miss, here is a movie suggestion to watch at home. This is episode three of the series (May replacement).<br />
<br />
<b>The Mire (available on Netflix)</b><br />
<br />
Poland, early 80's, the middle of a small, forgotten town. In the local forest a young prostitute and a communist activist are brutally murdered. At the same time a couple of teenagers commit a suicide. Two journalists of a local newspaper are investigating the crimes. The more they dig around the more they find themselves in a "mire" which is extremely hard to get out of.<br />
<br />
In addition to a great plot, the music in this series is phenomenal!<br />
<br />
Cast: Andrzej Seweryn, Dawid Ogrodnik, Piotr Fronczewski, Magdalena Walach i Zofia Wichlacz.<br />
<br />
Trailer (in Polish):<br />
<br />
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="720" src="https://www.youtube.com/embed/tfKPPAqZNAU" width="1280"></iframe>Kingahttp://www.blogger.com/profile/05070717278268074546noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-88955004349838798522020-05-22T09:31:00.000-07:002020-05-22T09:31:08.513-07:00Movie to Watch: REMEMBRANCE by Anna Justice (2011) War/Drama 105 minutes<div dir="ltr" style="text-align: left;" trbidi="on">
<span class="_mh6 _wsc" id="cch_f2486f022c9a6d8"><span class="_3oh- _58nk">Because of the pandemic our Polish movie screenings are no longer
possible. So instead, for every month we miss, a movie suggestion to
watch from home. This is episode two of the series (our April
replacement). </span></span><span class="_mh6 _wsc" id="cch_f2486f022c9a6d8"><span class="_3oh- _58nk"> </span></span><br />
<br />
<span class="_mh6 _wsc" id="cch_f2486f022c9a6d8"><span class="_3oh- _58nk">Recommendation by Marzena Szlaga</span></span><br />
<br />
<span class="_mh6 _wsc" id="cch_f2486f022c9a6d8"><span class="_3oh- _58nk"><b>Remembrance (available on Amazon Prime) </b></span></span><br />
<br />
<span class="_mh6 _wsc" id="cch_f2486f022c9a6d8"><span class="_3oh- _58nk">"Remembrance” is a German-Polish co-production (Polish title: <b>Zagubiony Czas</b>). The film is based on a true story of Jerzy Bielecki and Cyla Cybulska.
Young Polish resistance officer, Tomasz Limanowski, is captured and sent to Auschwitz II (in that role- charismatic Mateusz Damięcki) where he falls in love with a German-Jewish girl, Hanna Silberstein, a prisoner of the women slave labor camp. They manage to escape the Nazi camp but unforeseen coincidence and betrayal of Tomasz's family member prevents their unification. They meet again 30 years later.
This is a story of young unfulfilled love, fight for freedom, suffering and perseverance, and also about the struggle of life in constant fear and betrayal.
There are a few other Polish actors in this movie, including Joanna Kulig in the role of Magdalena, Tomasz’s sister-in-law.</span></span><br />
<br />
<span class="_mh6 _wsc" id="cch_f2486f022c9a6d8"><span class="_3oh- _58nk"><span class="_mh6 _wsc" id="cch_f2486f022c9a6d8"></span></span></span><br />
Trailer:<br />
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<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/cjxrw8J2uXA/0.jpg" src="https://www.youtube.com/embed/cjxrw8J2uXA?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<span class="_mh6 _wsc" id="cch_f2486f022c9a6d8"><span class="_3oh- _58nk">https://www.youtube.com/watch?v=cjxrw8J2uXA&feature=youtu.be&fbclid=IwAR2a1OUrLYZtUyeVOckAp42dRD4AMgyDNk_W6Dj1B4mpLkTLGPLR3Ntpogw </span></span></div>
Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-10600210615575527432020-05-13T14:50:00.000-07:002020-05-20T18:44:09.686-07:00Movie to Watch: ESSENTIAL KILLING by Skolimowski (2010) War/Thriller 83 minutes<div dir="ltr" style="text-align: left;" trbidi="on">
Because of the pandemic our Polish movie screenings are no longer possible. So instead, for every month we miss, a movie suggestion to watch from home. This is episode one of the series our March replacement).<br />
<br />
<b>Essential Killing (available on Amazon Prime)</b><br />
Skolimowski at his best: frigid winter landscape, a prisoner on the run. And you, the viewer, who could clearly see from the get-go: there is no chance for survival. A "pure, elemental story," with a contemporary setting. If a trailer makes you think it is a political tale, don't quite believe it. As Roger Ebert put it: "Despite the contemporary setting, "Essential Killing" makes little point
of politics. Yes, the man is Taliban and yes, he's tortured, but there
are no speeches and precious little dialogue by anyone, let alone the
Gallo character. It's pure action, and then you're free to find your
own parallels." If you are interested to read more before watching, this is probably the best movie review I have found<b> </b>on The Guardian's website: <a href="https://www.theguardian.com/film/2011/mar/31/essential-killing-review" target="_blank">https://www.theguardian.com/film/2011/mar/31/essential-killing-review. </a><br />
<b> </b><br />
<br />
Cast: Vincent Gallo<br />
<br />
Trailer:<br />
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Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-45746528577078886422020-03-07T14:24:00.002-08:002020-04-26T15:56:55.956-07:00Friday, Sep 18 at 7:30: IKAR by Maciej Pieprzyca (2019) Drama 110 minutes <div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwghxVfSX6qlnTiRMr7cCb-575Bd_Tb4OYhfmUIlrJmzdFdLv6wDccngSuC_XpNE5LGJ1nT8WGuqrnT4OWpig4_QgrmmEWgNEfnwojsUycBehXgVjE2F6-DmRgNLnLdMPb2NfFzgru7WU/s1600/OKO+Ikar+.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwghxVfSX6qlnTiRMr7cCb-575Bd_Tb4OYhfmUIlrJmzdFdLv6wDccngSuC_XpNE5LGJ1nT8WGuqrnT4OWpig4_QgrmmEWgNEfnwojsUycBehXgVjE2F6-DmRgNLnLdMPb2NfFzgru7WU/s200/OKO+Ikar+.jpg" width="150" /></a></div>
<b>Icarus. The legend of Mietek Kosz, Polish with English subtitles </b><br />
<br />
Inspired by true events, a story of a blind piano genius who died in tragic circumstances and whose life we see through
select episodes depicting the most influential moments in his life and
career. As a
child, Mietek loses his sight and his mother places him in the care of the
nuns in Laski. This is where Mietek discovers that music
may be his way of seeing the world again. Mietek
goes on to become a brilliant classical and jazz pianist known both in Poland and abroad. The film won 6 awards at Gdynia Film Festival in 2019, for the best feature film (Silver Lions), actor, cinematography, costume design, make-up, and score, and is nominated in several categories in 2020 Polish Film Academy Awards Orły (Eagles).<br />
<span style="font-size: xx-small;"> (description based on https://www.imdb.com/title/tt9121954/plotsummary?ref_=tt_ov_pl )</span><br />
<br />
Cast: Dawid Ogrodnik, Cyprian Grabowski, Piotr Adamczyk<br />
<br />
Trailer (in Polish):<br />
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Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-82623984956880957482020-03-06T19:11:00.000-08:002020-04-26T15:56:30.783-07:00Spring and Summer Movie Cancellations<div dir="ltr" style="text-align: left;" trbidi="on">
Due to the recommendations from public
health agencies to avoid bringing groups of people together in
close proximity for events and gatherings, we are cancelling our March showing.<br />
<br />
Update: due to Gov. Inslee's stay-at-home order, we are cancelling our April movie screening. <br />
<br />
Update: Polish Home is closed for now. We hope to see everyone in September.<br />
<br />
Stay safe!</div>
Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-5115329954588865392020-01-18T02:25:00.002-08:002020-01-18T02:48:07.607-08:00Friday, February 21 at 7:30: TESTOSTERON by Saramonowicz & Konecki (2007) Comedy 119 minutes <div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Mr8FwhtVAXZI2rPAH5ItARxfXG_ScuaLtaZpaXF63UOEs4PoSvj5tId5_BNDRgcmbiwg7MYGm-MqwPJojvDcDQRy6l721l-i8T93Y3e5JBlvad35BYEQF7Fh4Eu42rgapLsxJeu7_o8/s1600/OKO+Testosteron++.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Mr8FwhtVAXZI2rPAH5ItARxfXG_ScuaLtaZpaXF63UOEs4PoSvj5tId5_BNDRgcmbiwg7MYGm-MqwPJojvDcDQRy6l721l-i8T93Y3e5JBlvad35BYEQF7Fh4Eu42rgapLsxJeu7_o8/s200/OKO+Testosteron++.jpg" width="125" /></a></div>
<b>Testosterone, Polish with English subtitles</b><br />
<br />
Would a wedding without a bride work? But of course. Provided
you have the best Polish male actors and an excellent screenplay. As a waiter finishes
setting the tables for the wedding party, the limousine arrives. Except instead
of the newlyweds, three angry men jump out, dragging another one along.
Soon they are joined by the groom. The wedding party after the wedding that
didn’t take place because the bride escaped from the altar turns into a series
of fights, toasts, squabbles, discussions, surprising twists and turns. What do women
really want? What do men really want? And what is love?<br />
<div class="MsoNormal" style="text-align: right;">
<span style="font-size: xx-small;">(<span lang="PL">https://naekranie.pl/filmy/testosteron)</span></span><br />
<br />
<div style="text-align: left;">
Cast: Piotr Adamczyk, Borys Szyc, Maciej Stuhr, Krzysztof Stelmaszyk, Cezary Kosiński, Tomasz Karolak, Tomasz Kot <br />
<br /></div>
<div style="text-align: left;">
Trailer (in Polish):<br />
<br />
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<span id="goog_945931147"></span><span id="goog_945931148"></span></div>
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Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-49669310637979894282019-11-23T16:29:00.000-08:002020-01-05T02:06:09.168-08:00Friday, January 17 at 7:30: ZIARNO PRAWDY by Borys Lankosz (2015) Crime / Thriller 112 minutes<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://ssl-gfx.filmweb.pl/po/52/48/705248/7692569.3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="722" data-original-width="500" height="200" src="https://ssl-gfx.filmweb.pl/po/52/48/705248/7692569.3.jpg" width="138" /></a></div>
<b>A Grain of Truth, Polish with English subtitles</b><br />
<br />
A tense and well constructed dark thriller, based on <i> </i>one of the Zygmunt Miłoszewski's crime novels, murder mysteries that weave together modern Polish reality with its recent historical past. An effective and seasoned prosecutor Teodor Szacki (Robert Więckiewicz) <span id="freeText11006532517993938307">has moved from Warsaw to Sandomierz, a
picturesque but provincial town, where he finds himself investigating an unsual murder
case. Szacki is an outsider, battling his own demons, the surroundings are unfriendly, and a painful tangle of Polish-Jewish relations complicates the investigation. Shot in neo-noir style, with mysterious and dark undertones, further enhanced by the music of Abel Korzeniowski.</span><br />
<span id="freeText11006532517993938307"><br /></span>
<span id="freeText11006532517993938307"><span id="freeText11006532517993938307"></span>Cast: Robert Więckiewicz, Jerzy Trela, Magdalena Wałach</span><br />
<span id="freeText11006532517993938307"><br /></span> <br />
<span id="freeText11006532517993938307">Trailer:</span><br />
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<span id="freeText11006532517993938307"><br /></span> </div>
Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-40538993899376583842019-10-17T20:32:00.000-07:002019-11-23T21:06:15.725-08:00Friday, November 15 at 7:30: OBYWATEL by Jerzy Stuhr (2014), Comedy / Drama / History 104 minutes<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Citizen, Polish with English subtitles</span></b></span><br />
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<span style="font-size: large;">"</span><span style="font-size: large;">Forrest Gump meets Fellini in this enjoyably irreverent Euro farce" (Hollywood Reporter)</span><br />
<span style="font-size: large;">Need we say more? 60 years of Polish most recent history through the eyes of an ordinary man, Jan Bratek (Jerzy Stuhr), who looks back at his life while in a coma... Polish Forrest Gump? Polish Fellini in 8.5 weeks? Perhaps. But first and foremost Jerzy Stuhr's comedic parable of his generation's reality and times. Why else would a Polish comic icon decide to write, produce, direct, and act in his own movie. </span><br />
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<span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";">Cast:<span class="st"> Jerzy Stuhr, Maciej Stuhr, Sonia Bohosiewicz, Barbara Horowianka, Magdalena Boczarska, Janusz Gajos </span></span><br />
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<span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";"><span class="st"><span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";"><span class="st">Trailer: </span></span></span></span><br />
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<b>***** </b></div>
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There will be no
OKO screening in December due to the holiday season. Merry Christmas everyone! See you in January!</div>
</div>
Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-88848754959642318082019-08-17T01:41:00.000-07:002019-11-23T21:06:58.596-08:00Friday, September 20 at 7:30: WOŁYŃ by Wojciech Smarzowski (2016) Drama / History / War 150 minutes<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Volhynia (Hatred) Polish with English subtitles</span></b></span><br />
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<span style="font-size: large;">"About love in inhuman times", </span><span style="font-size: large;">the film is set in the 1939-1943 time frame and its central theme is the ethnic tension that rearises among the local Polish and Ukrainian community amidst the German and Russian invasions. Zosia, a Polish girl in love with a Ukrainian boy, tries to survive the massacre. The screenplay was based on the collection of short stories titled <i>Hate</i> (Polish: <i>Nienawiść</i>) by Stanisław Srokowski. The film received </span><span style="font-size: large;"><span style="font-family: inherit;"><span style="font-size: large;">9 Polish Film Academy Awards, Orły (Eagles)</span></span>, in 2017, and 3 Złote Lwy Awards (Golden Lions) at the 41st <a href="https://en.wikipedia.org/wiki/Gdynia_Film_Festival" target="_blank" title="Gdynia Film Festival">Gdynia Film Festival</a>.</span>
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"What makes it tough is that the terror is brought to you by the people
you know well, your next door neighbors, your spouse or even your
brother." (ktrelski https://www.imdb.com/review/rw3577643/?ref_=rw_urv)<br />
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<span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";">Cast:<span class="st"> Michalina Łabacz, Arkadiusz Jakubik, Wasyl Wasylik, Adrian Zaremba </span></span><br />
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<span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";"><span class="st">Trailer:</span></span><br />
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<b>***** </b></div>
<b>OCTOBER</b> is the month of Seattle Polish Film Festival (<a href="https://www.polishfilms.org/welcome" target="_blank">SPFF</a>), so there will be no
OKO screening in October. See you in November!<br />
<br /></div>
</div>
Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-68340975783858506252019-05-18T16:07:00.000-07:002019-11-23T21:07:26.054-08:00Friday, June 21 at 7:30: U PANA BOGA ZA PIECEM by Jacek Bromski (1998) Comedy 96 minutes<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><b><span style="font-family: "times new roman" , serif;">In Heaven as it is on Earth, </span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Polish with English subtitles</span></b></span><br />
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<span style="font-size: large;">A feel-good film about life in a small, quiet Polish village near the eastern border in the 1990s, where everyone knows everyone else. A good combination of boy-meets-girl, humor, suspense, and a little action, when a lovely Russian girl arrives at the scene as a consequence of a bus robbery. The feel of the small Polish village ruled by the local parish priest is practically palpable. This heart-warming comedy won several awards at the Polish Film Festival in Gdynia in 1998, including an audience award, best director, screenplay, supporting actor, and sound.</span></div>
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<span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";">Cast:<span class="st"> Jan Wieczorkowski, Ira Łaczina, Krzysztof Dzierma, Andrzej Zaborski</span></span><br />
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• • • • •</div>
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Film club OKO will be on vacation all summer - no films till September. have a great summer!<br />
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<span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";"><span class="st"> </span></span><span style="font-size: medium;"><b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"> </span></b></span></div>
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Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-86862268077292350082019-04-28T23:14:00.003-07:002019-11-23T21:07:47.394-08:00Friday, May 17 at 7:30: POWIDOKI by Andrzej Wajda (2016) Drama / Biography 98 minutes<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><b><span style="font-family: "times new roman" , serif;">Afterimage,</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"> Polish with English subtitles</span></b></span><br />
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<span style="font-family: "times new roman" , serif; font-size: large; mso-fareast-font-family: "Times New Roman";">Powidoki is the final film by the great Polish director, Andrzej
Wajda, and a story about another great Polish artist, an avant-garde painter
and art theoretician, Władysław Strzemiński. The film covers the post-war
period of Strzeminski’s life who, in the Stalinist era of social realism and
art’s servitude to the collective, dares to believe in artist’s autonomy and
abstract art. Despite his fame, communist past, and a war hero status, Strzeminski’s
refusal to compromise leads to his persecution, dismissal from his professorial
position, and erasure from the museums’ walls. De-credentialed as an artist, he
is unable to continue his work. The story of Strzeminski becomes the story of Polish
artists, their struggle to maintain artistic integrity and their resistance
against intellectual tyranny. It is worth noting that Wajda selects for the
film the music of another great Polish artist of this era, a modernist composer,
Sir Andrzej Panufnik, who chose a different path and defected from Poland to
the United Kingdom frustrated by the very same climate of socialist realism
that ruined Strzeminski. </span></div>
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<span style="font-family: "times new roman" , serif; font-size: large; mso-fareast-font-family: "Times New Roman";">The screenplay is written by Andrzej Mularczyk, a renowned
Polish writer and screenwriter and it is titled after one of Strzeminski’s
artistic theories. </span></div>
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<span style="font-family: "times new roman" , serif; font-size: large; mso-fareast-font-family: "Times New Roman";">“Looking at an object, we receive its reflection in our eye.
The trace of an object. Because a person can only really see what he is aware
of.” </span></div>
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<span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";">Cast: </span></div>
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<span lang="PL" style="font-family: "times new roman" , serif; font-size: large; mso-ansi-language: PL; mso-fareast-font-family: "Times New Roman";">Bogusław Linda, Bronisława Zamachowska,
Zofia Wichlacz, Krzysztof Pieczynski <span style="mso-tab-count: 1;"> </span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: large; line-height: 107%;">Trailer: </span><a href="https://www.imdb.com/title/tt5186236/videoplayer/vi1960557081?ref_=tt_ov_vi"><span style="font-size: large;"><span style="font-family: "times new roman" , serif; line-height: 107%;">https://www.imdb.com/title/tt5186236/videoplayer/vi1960557081?ref_=tt_ov_vi</span></span></a><span style="font-family: "times new roman" , serif; font-size: 12.0pt; line-height: 107%;"> </span></div>
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Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-15407625129420654922019-03-15T12:54:00.002-07:002019-11-23T21:08:13.739-08:00Friday, April 26 at 7:30: Audience Choice - ROSE by Wojciech Smarzowski (2011)<div dir="ltr" style="text-align: left;" trbidi="on">
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Between March 15 and April 6, you - the audience - have a chance to decide on the next movie (all with English subtitles). Follow this link for film titles, short descriptions, and to vote:<br />
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<b><a href="https://www.surveymonkey.com/r/T5YSYKJ" target="_blank">https://www.surveymonkey.com/r/T5YSYKJ</a> </b>
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<b><span lang="PL" style="mso-ansi-language: PL;"><span style="font-weight: normal;">And the winner is - or rather are - with the identical number of votes: Róża and Tatarak </span></span>
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<hr />
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<a href="https://m.media-amazon.com/images/M/MV5BNGEwYTY4MmQtMTNkZC00NzMyLWEyY2YtYzljMGMzMGIxN2NlXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="733" data-original-width="500" height="320" src="https://m.media-amazon.com/images/M/MV5BNGEwYTY4MmQtMTNkZC00NzMyLWEyY2YtYzljMGMzMGIxN2NlXkEyXkFqcGdeQXVyMTc4MzI2NQ@@._V1_.jpg" width="218" /></a></div>
<span style="font-size: large;"><b><span lang="PL">Róża (Rose)</span></b></span>
<br />
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<span style="font-family: inherit;"><span lang="PL" style="font-size: large; mso-ansi-language: PL;">Directed by Wojciech Smarzowski</span></span></div>
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<span style="font-family: inherit;"><span lang="PL" style="font-size: large; mso-ansi-language: PL;">Poland, 2011</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: large;">Drama, War</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: large;">90 minutes</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: large;"><b>Polish with English subtitles</b></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: large;">Winner of 6 Polish Film Academy awards, Orły (Eagles), for the best
film, director, screenplay, actress, supporting actor, and music score, and the
winner of the audience choice award. The film is set in the post-war Mazury region,
a border territory, which becomes part of Poland as a result of the Potsdam
Agreement after World War II. The tensions of long and complicated history of
the region inhabited over the years by Mazurians, Poles, and Germans, further
devasted by the war, Soviet soldiers, resettlement drama, and the new,
socialist reality, serve as a backdrop for the developing emotional tie between
Rose, a Masurian woman and a widow of a German soldier, and Tadeusz, a former officer
in the Polish Home Army. The tale of survival, love, and complicated identity,
full of violence, at times perhaps difficult to watch, is told through the
muted coloring of the lens by cinematographer Piotr Sobocinski Jr. and accentuated
by composer Mikolaj Trzaska’s score.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: large;">“The film's basic plot is a story about love - tough and built on
ruins” (Smarzowski)</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: large;">“A harrowing tale of survival” (IMDb)</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: large;">"Almost unbearably brutal yet hauntingly romantic” (Variety).</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: large;">"From a moral point of view Róża is a Western crammed with
violence but filmed without complacency” (Krakow Post)</span></span><br />
<span style="font-family: inherit;"><span style="font-size: large;"><br /></span></span>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
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<span style="font-family: inherit;"><span lang="PL" style="font-size: large; mso-ansi-language: PL;">Cast: Marcin Dorocinski,
Agata Kulesza, Kinga Preis, Jacek Braciak, Malwina Buss, Marian Dziedziel,
Edward Linde-Lubaszenko</span></span></div>
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<span style="font-family: inherit;"><span lang="PL" style="font-size: large; mso-ansi-language: PL;">Trailer: </span></span></div>
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Monika Sobolewskahttp://www.blogger.com/profile/12450928441105201315noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-69081217166275917842019-02-17T20:42:00.002-08:002019-11-23T21:08:43.489-08:00Friday, March 15 at 7:30: VOLTA by Juliusz Machulski (2017)<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd78_FKwOtAZZNHWzpdyr7wJ6wiM3inydBU7jkZTbQp186LBSvhmeTpLvelYsIkqFQo8EgqC2r_2iWaCn-5D_CNGHjHg5YQlqRtnRyRb9HMpjSvdzpylS5JLfQMK6pMZnCHLizJfWeNqGa/s1600/52156637_639725176462845_5696943882403577856_n+ang.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="403" data-original-width="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd78_FKwOtAZZNHWzpdyr7wJ6wiM3inydBU7jkZTbQp186LBSvhmeTpLvelYsIkqFQo8EgqC2r_2iWaCn-5D_CNGHjHg5YQlqRtnRyRb9HMpjSvdzpylS5JLfQMK6pMZnCHLizJfWeNqGa/s1600/52156637_639725176462845_5696943882403577856_n+ang.jpg" /></a></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "times new roman" , serif;"><b><span style="font-size: large;">Volta </span></b></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-size: large;"><span style="font-family: "times new roman" , serif;">Directed by </span><span lang="EN" style="font-family: "times new roman" , serif;">Juliusz Machulski</span><span style="font-family: "times new roman" , serif;"><o:p></o:p></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: large;">Poland, 2017 <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: large;">Comedy, Crime caper<o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "times new roman" , serif;"><span style="font-size: large;">105 minutes<o:p></o:p></span></span></div>
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<span style="font-family: "times new roman" , serif;"><span style="font-size: large;"><b>Polish with English subtitles</b><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;">
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<span style="font-size: large;"><span style="font-family: "times new roman" , serif;"><i>Plot:</i> </span><span lang="EN" style="font-family: "times new roman" , serif;">Bruno Volta, a spin-doctor and a
hustler, meets his challenge when one day his partner, Agnieszka, meets under
unusual circumstances a girl named Viki. Agnieszka’s new friend finds a
mysterious and extremely precious object in the wall of an old house that grabs
Volta’s undivided and total attention:</span><span lang="EN"> </span><span lang="EN" style="font-family: "times new roman" , serif;">the crown that belonged to Casimir the
Great, the last medieval Polish king from Piast dynasty</span>. <span lang="EN" style="font-family: "times new roman" , serif;"> Volta cannot miss this million-dollar
opportunity. Together with the bodyguard, Dycha, he is ready for anything to
get possession of the treasure. However, it will not be as easy as it seems
because innocent-looking Viki is in fact a worthy rival. The film takes place
in one of Poland’s oldest and most beautiful cities, Lublin, and continues in
the tradition of Machulski’s best caper stories: Vabank and Vinci.</span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;">
<span lang="PL" style="font-family: "times new roman" , serif;"><span style="font-size: large;"><i>Cast: </i><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;">
<span lang="PL" style="font-family: "times new roman" , serif;"><span style="font-size: large;">Andrzej Zielinski, Olga Boladz, Aleksandra
Domanska, Michal Zurawski, Jacek Braciak, <span style="mso-tab-count: 1;"> </span><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; tab-stops: 45.8pt 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt;">
<span lang="PL" style="font-family: "times new roman" , serif;"><span style="font-size: large;">Joanna Szczepkowska <o:p></o:p></span></span></div>
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<span lang="PL" style="font-family: "times new roman" , serif; line-height: 107%;"><o:p><span style="font-size: large;">Trailer (in Polish) MOVIE HAS ENGLISH SUBTITLES</span></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/9gD553oUBMs/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/9gD553oUBMs?feature=player_embedded" width="320"></iframe></div>
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Anonymoushttp://www.blogger.com/profile/03389052610244610002noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-38628609572223290862019-02-01T07:42:00.000-08:002019-02-01T21:17:30.881-08:00Friday, February 15 at 7:30: The Art of Loving. Story of Michalina Wislocka (2017)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0NEUsFTbrgy_bmjbY6cDfvPXwq1Pw8Nt6xyD7Z3W0SCJKiTv7AyyrxyofNLHfYmaLJICouryyn7_a5mb6N0IjdCtlgx-ixkglzQVEYsDcPnmYbr7tPq08BMwQK5H8GjoEh-UDIP-KfwAV/s1600/okladka.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0NEUsFTbrgy_bmjbY6cDfvPXwq1Pw8Nt6xyD7Z3W0SCJKiTv7AyyrxyofNLHfYmaLJICouryyn7_a5mb6N0IjdCtlgx-ixkglzQVEYsDcPnmYbr7tPq08BMwQK5H8GjoEh-UDIP-KfwAV/s400/okladka.jpg" width="266" /></a></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-size: large;">Sztuka kochania. Historia Michaliny Wisłockiej </span></div>
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(original
title)<o:p></o:p></div>
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2h | <a href="https://www.imdb.com/search/title?genres=biography&explore=title_type,genres&ref_=tt_ov_inf"><span style="color: black; text-decoration-line: none;">Biography</span></a>, <a href="https://www.imdb.com/search/title?genres=comedy&explore=title_type,genres&ref_=tt_ov_inf"><span style="color: black; text-decoration-line: none;">Comedy</span></a>, <a href="https://www.imdb.com/search/title?genres=drama&explore=title_type,genres&ref_=tt_ov_inf"><span style="color: black; text-decoration-line: none;">Drama</span></a> | <a href="https://www.imdb.com/title/tt5370828/releaseinfo?ref_=tt_ov_inf" title="See more release dates"><span style="color: black; text-decoration-line: none;">2017 (Poland)</span></a><o:p></o:p></div>
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<span style="font-size: 12pt;">“The
Art of Loving", an adaptation of Michalina Wisłocka’s biography, is both a tale
about her and about the taboo topic that is Polish sexuality. Humorous and
well-acted, the film is well worth watching.<o:p></o:p></span></div>
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<span style="font-size: 12pt;">In her version of Michalina Wisłocka’s biography, Maria Sadowska
chooses to talk about sex without exaggeration, shy blushing or provocative
intent. She does not judge her characters, or moralise over their sometimes
questionable choices. In The Art of Loving, sex is neither good nor
bad, it’s just a part of everyday life. The story of the famous Polish
gynaecologist and sexologist, whose lifestyle guidebook "The Art of
Loving" sold over 7 million copies in the 1970s, is a straightforward
story about a person whose body and soul are connected into one, indivisible
whole. “<o:p></o:p></span></div>
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<span style="font-size: 12pt;">Read
more about the movie at <a href="https://culture.pl/en/work/the-art-of-love-the-story-of-michalina-wislocka-maria-sadowska">Culture.pl</a><o:p></o:p></span></div>
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Director: <a href="https://www.imdb.com/name/nm2895884/?ref_=tt_ov_dr"><span style="color: black; text-decoration-line: none;">Maria Sadowska</span></a></div>
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Stars: <span lang="PL"><a href="https://www.imdb.com/name/nm1875226/?ref_=ttfc_fc_cl_t5"><span lang="EN-US" style="color: black; text-decoration-line: none;">Magdalena Boczarska</span></a></span>, <span lang="PL"><a href="https://www.imdb.com/name/nm1455087/?ref_=ttfc_fc_cl_t7"><span lang="EN-US" style="color: black; text-decoration-line: none;">Eryk Lubos</span></a></span>, <span lang="PL"><a href="https://www.imdb.com/name/nm1682799/?ref_=tt_ov_st_sm"><span lang="EN-US" style="color: black; text-decoration-line: none;">Tomasz Kot</span></a></span>, <span lang="PL"><a href="https://www.imdb.com/name/nm0844371/?ref_=tt_ov_st_sm"><span lang="EN-US" style="color: black; text-decoration-line: none;">Borys Szyc</span></a></span>, <span lang="PL"><span lang="EN-US">Justyna Wasilewska</span></span><br />
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<span lang="PL"><span lang="EN-US">Official trailer here:</span></span><br />
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Anonymoushttp://www.blogger.com/profile/03389052610244610002noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-64097591399576063962019-01-09T21:56:00.001-08:002019-01-09T21:56:50.363-08:00Friday, January 18 at 7:30: The Last Stage (Polish: Ostatni etap), 1947 film by Wanda Jakubowska <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Helvetica; font-size: 14pt;">The Last Stage (<a href="https://www.imdb.com/title/tt0040674/" target="_blank">Polish: Ostatni Etap</a>) is a 1947 feature film directed and co-written by Poland's first female filmmaker Wanda Jakubowska, depicting her experiences in the Auschwitz concentration camp during World War II. <o:p></o:p></span></div>
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<span style="font-family: Helvetica; font-size: 14pt;">Plot: A Jewish family from Poland, the Weisses, is sent to Auschwitz where the daughter, Martha, is selected to be an interpreter. The rest of her family is cruelly killed, and Martha and the other Poles must struggle under the tyranny of camp guards and capos. <o:p></o:p></span></div>
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<span style="font-family: Helvetica; font-size: 14pt;">Stars: Tatjana Gorecka, Antonina Gordon-Górecka, Barbara Drapinska, Aleksandra Slaska, Edward Dziewonski. The film won the Crystal Globe at Karlovy Vary International Film Festival in 1948, and it was nominated for Grand International Award at Venice Film Festival in 1948 and for a BAFTA Award for Best Film from Any Source in 1950. <o:p></o:p></span></div>
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<span style="font-family: Helvetica; font-size: 14pt;">The Last Stage was a pioneering work and the first narrative film to portray the Nazi concentration and extermination camp complex of Auschwitz-Birkenau, an important and historic film that deserves to be reproduced better, but still well worth seeing. Last Stage was made just two years after WWII had ended.</span><span style="font-family: Helvetica; font-size: 14pt;"> </span></div>
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<span style="font-family: Helvetica; font-size: 14pt;">Amazingly it was filmed in Auschwitz and the Polish actor and actresses actually sleep in the barracks while the movie was being filmed and wore the actual prison uniforms that had been sanitized but still were stained with blood, etc.<o:p></o:p></span></div>
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<span style="font-family: Helvetica; font-size: 14pt;">There is a book about the film by Marek Haltof, a professor at Northern Michigan University, who has published several books in English and Polish on the cultural histories of Central European and Australian film: <a href="http://www.nupress.northwestern.edu/content/screening-auschwitz" target="_blank">"Screening Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Commemoration (Cultural Expressions)"</a><o:p></o:p></span></div>
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<span style="font-family: Helvetica; font-size: 14pt;">Film hosts for the evening: Linda and Bruce. The film (1h 50 min) is in Polish, with English subtitles, at Polish Home upstairs, Friday, January 18, 7:30 pm.<o:p></o:p></span></div>
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alekshttp://www.blogger.com/profile/14017484473597055832noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-55263978154735265322018-11-02T20:37:00.002-07:002018-11-05T20:35:34.427-08:00Friday, November 16 at 7:30: MOVIES ABOUT SEATTLE POLISH COMMUNITY<b>ATTENTION, CHANGE OF PLANS</b>: Due to the November celebrations of 100th anniversary of the Polish Home in Seattle as well as the 100th anniversary of Polish independence, a film 'The Last Stage (Polish: Ostatni etap) is now rescheduled for January 2019.<br />
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Instead, we will re-screen shown at SPFF 2018 three recent documentaries about Polish Community in Seattle:<br />
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<b>• Passing the Torch: 100 Years of the Polish Home Association</b><br />
This movie has been produced by the PHA historical video and oral history project in 2017 & 2018. Based on dozens of interviews and a wealth of historical materials it shows the rich history of the Polish community through different eras and the role PHA and the Polish Home played as the anchor of Polish life in Seattle and the Washington state. It shows achievements and initiatives that transformed the Polish Home from an ethnic fraternity into a vibrant cultural center presenting Polish culture and traditions.<br />
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Trailer of 'Passing the Torch':<br />
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<b>• Bronka, Lady of the Mountain / Kobieta Skała</b><br />
This is the second documentary created by director Meleń during her visit in April 2018. The film shows a profile of Bronka Sundstrom, a 93 years old mountaineer guide who lives in a house near the Mt. Rainier National Park entrance.<br />
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<b>• A Piece of Poland in Seattle / Kawałek Polski w Seattle</b><br />
This movie, commissioned by PHA, shows the Polish community through the eyes of the Polish director Monika Meleń, it was shot during her visit to Seattle in April 2018. Footage of different events happening at that time illustrate the current cultural life of the community while interviews with PHA members show different ways and reasons for Poles to immigrate to the Seattle area.</div>
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alekshttp://www.blogger.com/profile/14017484473597055832noreply@blogger.com2tag:blogger.com,1999:blog-4771519632679176016.post-25665434690816601932018-09-04T14:51:00.001-07:002019-03-17T10:16:48.387-07:00Friday, September 21th at 7:30: BYOF (maybe)<div dir="ltr" style="text-align: left;" trbidi="on">
About next few OKO sessions:<br />
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<b>• SEPTEMBER</b>: I'm having trouble to secure a Polish full feature film with English subtitles, so we will screen two very interesting short films, but... You can bring your own film and if the audience decides to see it, we will do so. You can also communicate ahead of time via comment section below or via blog's email (mailaleksblog at gmail.com - change 'at' to '@' and make it one word) if you have questions or title of film you want to bring... In case nobody brings an alternative film we will see:<br />
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1.) <i><b>Maestro: Andres Bukowinski, his life and films</b></i>, 2001, directed by Andrzej Bart (the author of the script for the film Rewers /Reverse) - 27 minutes documetary. Born in Poland in 1940, Andres Bukowinski began his advertising career in Argentina, won numerous international awards for his commercials, later moved to Brazil, and began reacquainting himself with Poland in the 90s. He made about 3000 ads and is often called the King of Commercials.<br />
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From <a href="https://culture.pl/en/article/traces-of-polish-culture-in-brazil" target="_blank">Culture.pl</a>: [...] In 2003, at the XV Polish Film Festival in Chicago, Bukowiński received the Wings Award for ‘outstanding achievements in the art of film beyond Poland’. The organizer of the festival, Christopher Kamyszew, said of the decision: <i>The advertising films directed by Andrzej Bukowiński are small masterpieces of cinematic art, cinematic metaphors of the highest level. He has made so much of them; he must be admired for his creativity and consequential art. Calling Andrzej’s films advertisements is in some ways arbitrary. They are both advertisements and artistic expressions of the existential philosophy of their creator.</i> [...]<br />
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In anticipation of an after film discussion here is a link to Wendy Mellilo article, titled: Is Advertising Art? that was posted in <a href="https://www.adweek.com/brand-marketing/advertising-art-52908/" target="_blank">adweek in 2011</a>. It begins with those words: <i>Inside America’s largest museum complex, the untutored eye might assume the image of a woman adorned in a bright yellow dress, one white-gloved hand gripping a parasol, is something by an Impressionist. And after a cursory glance, the poem of love and longing printed beneath her could be confused with a Robert Browning work.</i><br />
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<i>Not until one notices the words “Ivory soap” at the end of the poem does the work reveal itself—as a Procter & Gamble print ad. [...]</i><br />
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Most of the materials about Bukowinski are in Spanish or Polish, but below his most famous work of art titled 'Hitler' - an ad for the newspaper Folha de São Paolo - it has been listed as ‘One of 40 World’s Best Commercials of the Century’, and another ad, titled 'O Mundo', for the same newspaper - in their English renditions:<br />
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2.) <b><i>The Cathedral</i></b> (Polish: Katedra) - 7 minutes 2002 short animated movie by Tomasz Bagiński, based on a science fiction short story by Jacek Dukaj, winner of the Janusz A. Zajdel Award in 2000. The film was nominated in 2002 for the Academy Award for Animated Short Film for the 75th Academy Awards. The film also won the title of Best Animated Short at Siggraph 2002 in San Antonio. About the plot, <a href="https://en.wikipedia.org/wiki/The_Cathedral" target="_blank">read here</a>...<br />
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<b>• OCTOBER</b> is the month of Seattle Polish Film Festival (<a href="https://www.polishfilms.org/" target="_blank">SPFF</a>), which hopefully will include 3 short films about local Polonia, so no OKO screening unless we want to re-screen those 3 local films.<br />
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<b>• NOVEMBER</b>: a audience memebr Linda K. will present <b><i>The Last Stage</i></b> (Polish: Ostatni etap), a 1947 Polish feature film directed and co-written by Wanda Jakubowska, depicting her experiences in the Auschwitz concentration camp during World War II.<br />
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• • • •<br />
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<b>ATTENTION: Polish Film Club OKO is ready for adoption!</b> Oko has existed in the current form since 2010, and was meant to promote Polish-themed film art in the Pacific Northwest through exposure, education and discussion - which is why all the films and dicussions took place in English. <br />
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OKO has its slot in Polish Home each 3rd Friday of the month from 7 pm, upstairs - ready for a new management and perhaps a new profile from December 2018. If interested, please contact me - I'll be happy to continue this blog for the new OKO, or make a link to your new blog. ola<br />
(Update Feb'19: Thank you for all the years of running the club. The club has been "adopted" - Monika)</div>
alekshttp://www.blogger.com/profile/14017484473597055832noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-37677440347976702152018-05-27T21:48:00.002-07:002019-11-23T21:16:56.860-08:00Friday, June 15th at 7:30: KORCZAK, a 1990 film by Andrzej Wajda <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;"><b>Film host: </b></span><span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;"><b>Tatyana Tsyrlina-Spady</b>, PhD, </span><br />
<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">Adjunct Professor at the School of Education, Seattle Pacific University. Tatyana is a member of many international organizations including the Association for </span><span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">Moral Education; Comparative International Education Society; Janusz </span><span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">Korczak Association of the United States, and formerly, Korczak Association of Russia. </span><span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">Thank you Tatyana! </span><br />
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<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">KORCZAK • </span><span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">Unrated | 1h 58min | Biography, Drama | 6 May 1990 (Poland)</span></h2>
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<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">Director: Andrzej Wajda, Writer: Agnieszka Holland. Stars: Wojciech Pszoniak, Ewa Dalkowska, Teresa Budzisz-Krzyzanowska </span></div>
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<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">In Polish with English subtitles, at Polish Home upstairs, Friday, June 15, 7:30 pm</span></div>
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<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">The film is an account of the last days of life of the legendary Polish pedagogue Janusz Korczak and his heroic dedication to protecting Jewish orphans during the war. Jewish doctor Henryk Goldszmit, known also as Janusz Korczak, is a man of high principles. He is unafraid of shouting at German officers and frequently has to be persuaded to save his own life. His orphanage, set up in a cramped school in the Warsaw ghetto, provides shelter to 200 homeless kids. Putting his experimental educational methods into practice, he installs a kind of children's self-government, whose justice is in a big contrast to what is happening in the outside world. Right in front of the school, dozens of kids are dying or being killed everyday and their naked bodies lie on the street unattended. Ghetto's mayor assures Korczak that the orphanages will be saved. Korczak raises food and money for the orphanage from the rich Jews. In the final roundup he refuses to accept a Swiss passport and boards the train to Treblinka with his orphans.</span></div>
<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;">New York Times <a href="https://www.nytimes.com/1991/04/14/movies/film-wajda-s-korczak-sets-loose-the-furies.html" target="_blank">article about the ending of the film that was seen as controversial</a> by some viewers: <i>[...] Mr. Wajda argued that movie makers have a duty to leave their audience with something more. He said he never considered ending the film with its penultimate shot, which shows the train speeding away from Warsaw toward the concentration camp.</i></span></div>
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<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;"><i>"Such an ending would have said to me that all these endeavors of Dr. Korczak were sunk in a black hole; that pedagogy in the face of force has no sense; that no efforts of man can reverse the fact that he is dying so accidentally. This would be an awful, existentialist point of view.</i></span></div>
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<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;"><i>"There would have been nothing easier than showing the death of the children in the gas chamber," Mr. Wajda. "It would have been a very moving scene. Everyone would have been crying. But do we have the right, does art have the right to show this? Is art for this?</i></span></div>
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<span style="color: #333333; font-family: "verdana" , "arial" , sans-serif; font-size: x-small;"><i>"Isn't art for telling it in some different way? Art has to stop short of certain facts, has to look for other possibilities. It seems to me that it is beautiful that when we do not agree to the fact that the children were gassed, we create a legend that these children go somewhere, into some better world."[...]</i></span></div>
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Official website of the <a href="http://www.wajda.pl/en/filmy/film29.html" target="_blank">director/film here</a>... Cannot find the trailer in English, or Polish, for that matter, but youtube has it in German:<br />
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• https://www.youtube.com/watch?v=iG0GFBjdeA0</div>
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<img alt="Image result for korczak film stills" class="irc_mi" height="205" src="https://www.calvertjournal.com/images/uploads/embeddable_slideshows/2016_November/_large_crop/Korczak_Korczak_01.jpg" style="margin-top: 0px;" width="320" /></div>
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• • • • •</div>
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Film club OKO will be on vacation all summer - no films till September. have a great summer!</div>
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alekshttp://www.blogger.com/profile/14017484473597055832noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-72697774882097743872018-05-10T10:34:00.001-07:002018-05-10T10:34:11.856-07:00Friday, May 18th at 7:30: SOLARIS, by by Steven Soderbergh, 2002<br />
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<img alt="Image result" class="irc_mi" height="320" src="https://static.rogerebert.com/uploads/movie/movie_poster/solaris-2002/large_q8U6hYNZJlCqeFZHBSHtg3TEi0B.jpg" style="margin-top: 1px;" width="224" /></div>
Solaris is a 2002 American science fiction drama film written and directed by Steven Soderbergh, produced by James Cameron and Jon Landau, and starring George Clooney and Natascha McElhone. It is based on the 1961 science fiction novel of the same name by Polish writer Stanisław Lem.<br />
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About <a href="https://en.wikipedia.org/wiki/Stanis%C5%82aw_Lem" target="_blank">Stanislaw Lem here</a>....</div>
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From <a href="https://en.wikipedia.org/wiki/Solaris_(2002_film)" target="_blank">wikipedia</a>: While admitting that he had not seen the film, Lem referred to Soderbergh's adaptation as a "remake of the Tarkovsky movie" and criticized what he had heard as departing far from his original intentions by focusing almost exclusively on the psychological relationship between the two main characters, while reducing the vast and alien ocean to a mere "mirror" of humanity:</div>
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<i>“...to my best knowledge, the book was not dedicated to erotic problems of people in outer space... As Solaris' author I shall allow myself to repeat that I only wanted to create a vision of a human encounter with something that certainly exists, in a mighty manner perhaps, but cannot be reduced to human concepts, ideas or images. This is why the book was entitled "Solaris" and not "Love in Outer Space".”</i></div>
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— Stanislaw Lem, The Solaris Station (December 8, 2002)</div>
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From <a href="https://www.rogerebert.com/reviews/solaris-2002" target="_blank">Roger Ebert's 3.5 stars review</a>: Solaris tells the story of a planet that reads minds, and obliges its visitors by devising and providing people they have lost, and miss. The Catch-22 is that the planet knows no more than its visitors know about these absent people. As the film opens, two astronauts have died in a space station circling the planet, and the survivors have sent back alarming messages. A psychiatrist named Chris Kelvin (George Clooney) is sent to the station, and when he awakens after his first night on board, his wife, Rheya (Natascha McElhone), is in bed with him. Some time earlier on earth, she had committed suicide. [...]</div>
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Next film Friday, June 15: 'Korczak' by Wajda, 1991</div>
alekshttp://www.blogger.com/profile/14017484473597055832noreply@blogger.com1tag:blogger.com,1999:blog-4771519632679176016.post-59114817137202723302018-03-31T11:46:00.000-07:002018-03-31T11:46:12.361-07:00Friday, April 20th at 7:30: PASSENGER 1963, by Andrzej Munk<br />
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<a href="http://www.imdb.com/title/tt0054159/" style="font-weight: bold;" target="_blank">Passenger (Polish: Pasażerka)</a> is a 1963 Polish feature film directed by Andrzej Munk. Munk died in a car crash during screening. The unfinished film was assembled for release by directors Witold Lesiewicz and Andrzej Brzozowski. The film (1h 2 min) is in Polish, with English subtitles, at Polish Home upstairs, Friday, March 16, 7:30 pm.<br />
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The last film of Andrzej Munk, who died in a crash during the filming. A German woman (played by Aleksandra Śląska) on a ship coming back to Europe notices a face of another woman which brings recollections from the past. She tells her husband that she has been an overseer in Auschwitz during the war, but she has actually saved a woman's life. Her vision is shown and then the actual events. <i>Written by Polish Cinema Database <http: ilmy="" info.fuw.edu.pl=""></http:></i><br />
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The source was a radio drama Passenger from Cabin Number 45, written in 1959 by a survivor of Auschwitz and Ravensbrück concentration camps, <a href="https://en.wikipedia.org/wiki/Zofia_Posmysz" target="_blank">Zofia Posmysz</a>-Piasecka. Posmysz's play was later reworked into a novel. It was published in 1962 as <a href="https://en.wikipedia.org/wiki/Passenger_(Posmysz_novel)" target="_blank">Pasażerka</a>. The novel was subsequently translated into 15 languages. The original radio drama was adapted for an award-winning feature film, while the novel was adapted into an <a href="https://en.wikipedia.org/wiki/The_Passenger_(opera)" target="_blank">opera by the same title with music by Mieczysław Weinberg</a>.<br />
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From <a href="http://hcl.harvard.edu/hfa/films/2002sepoct/munk.html" target="_blank">Harvard Film Archive</a>: [...] <i>Andrzej Munk’s tragic death at age thirty-nine might have formed the plot for one of his own darkly sardonic works: a Polish Jew and an active resistance worker during the war, he was returning home from shooting his film Passenger at the Auschwitz concentration camp in 1961 when an oncoming truck struck his car. He left behind only four feature films, but his influence was prodigious. As one of the key figures of the postwar “Polish School” of filmmaking, along with Andrzej Wajda and Jerzy Kawalerowicz, he helped to shape a vision that broke with the official social realist optimism of Eastern-bloc dogma and cast a skeptical eye on official notions of heroism, nationalism, and life in the Stalinist-occupied state. Teacher and mentor to such cinematic heirs as Roman Polanski and Jerzy Skolimowski, his influence can be felt even in the films of a later generation of Polish filmmakers—directors like Zanussi and Kieslowski.</i><br />
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<i>Munk’s cinema—often compared to the literature of his compatriot Witold Gombrowicz—showcases the ways in which ordinary people go about making sense of extraordinary times; and if sense can not be found, his films imply, then absurdity and satire should take its place. Though he died young, Andrzej Munk brought a fully realized and radically nonconformist vision to a culture caught between the ravages of wartime and the exigencies of a numbing new conformity. It is a body of work that bears re-viewing. [...]</i><br />
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From <a href="https://www.closeupfilmcentre.com/vertigo_magazine/volume-3-issue-2-summer-2006/andrzej-munk-s-the-passenger/" target="_blank">Vertigo by David Balfour</a>: [...] <i>The film is a combination of the live action material shot on location in Auschwitz prison camp, still photography taken whilst location scouting with actors, and a voice-over that guides the audience through the film. These three elements combine and interact over the course of film. The result is a film that investigates the way memory can act as protection against the past. It exists not only as whole, but also as series of multi-layer speculations into filmic form, that sheds light on the very essence of memory. It is the interplay between the film’s form and content which create a unique viewing experience, one that calls on the viewer to re-evaluate not just the memory of the characters in the film but their own memory of the film. [...]</i><br />
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From<a href="http://culture.pl/en/work/the-passenger-andrzej-munk" target="_blank"> culture.pl</a>: <i>[...] It is said that Andrzej Munk's idea for The Passenger originated when he had heard a radio broadcast of Zofia Posmysz’s Passenger from Cabin 45 (1959). The author, a former Auschwitz inmate, wrote her debut novel after meeting a group of Germans, one of whom, a woman, spoke with a voice confusingly similar to the voice of a guard from the camp. Zofia Posmysz, who had never returned to her camp experiences before that day, revealed that this encounter triggered her decision to look at a concentration camp not from the perspective of a prisoner, which was the common approach in martyrological literature, but of the perpetrator. Such a writing method was a significant novelty in the literature centred around the Nazi death camps. [...]</i><br />
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I cannot find a trailer for the film 'Passenger' (in Polish or English), but here is a link to 46 minutes documentary about Andrzej Munk 'The Last Pictures', (it has English subtitles):<br />
<a href="https://www.youtube.com/watch?v=mPzgGpPNHJk&t=8s">https://www.youtube.com/watch?v=mPzgGpPNHJk&t=8s</a><br />
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Opera Passenger trailer:<br />
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Next film on May18th, Friday: <b>Solaris,</b> 2002 American science fiction drama film written and directed by Steven Soderbergh, produced by James Cameron and Jon Landau, and starring George Clooney and Natascha McElhone. It is based on the 1961 science fiction novel of the same name by Polish writer Stanisław Lem.<br />
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alekshttp://www.blogger.com/profile/14017484473597055832noreply@blogger.com0tag:blogger.com,1999:blog-4771519632679176016.post-50102170033718778142018-03-01T10:33:00.001-08:002018-03-01T10:33:29.230-08:00Friday, March 16th at 7:30: REZERWAT, 2007, by Lukasz Palkowski (comedy)This will be the last film introduced by our UW Polish Studies Fulbright scholar, Justyna Budzik, PhD, before she leaves her post. Thank you, Justyna!<br />
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Rezerwat /The reservation, Poland 2007, Director: Lukasz Palkowski. Writers: Marcin Kwasny, Lukasz Palkowski. The film (1h 40min) is in Polish, with English subtitles, at Polish Home upstairs, Friday, March 16, 7:30 pm.<br />
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A young photographer moves to Praga, the most notorious district of Warsaw, known for common crime and alcoholism as well as unique folklore. This experience will have much impact on both his personal and professional life.<br />
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At the Polish Film Festival, the director, editor, and supporting actress (Sonia Bohosiewicz) all won in their respective categories; additionally, Palkowski won the Critics' Award.<br />
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<a href="http://www.imdb.com/title/tt1062961/" target="_blank">IMDB review by Chris Lawson</a>: <i>This film was shown in Romania as part of the European Film Festival week. This story of everyday life in Praga, a near-slum district in Warsaw, is true, honest and very powerful. [...] The photographer has to make moral compromises right through the film, and turns on the smooth businessmen who employ him. Overwhelming and highly recommended.</i><br />
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Here is the <a href="https://www.theguardian.com/travel/2008/aug/27/warsaw.poland" target="_blank">2008 Guardian article about Warsaw's district of Praga</a>:<br />
<b><i>Warsaw's wild side</i></b><br />
<b><i>Praga used to be Warsaw's hottest district for all the wrong reasons - until artists and musicians started moving into its abandoned warehouses and factories.</i></b><br />
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<i>Some Varsovians still think that a night out in Praga is a bit too edgy for comfort, remembering the days when the neighbourhood's soaring crime rate earned it the nickname "the Bermuda Triangle". For decades, it was home to the poorest of Warsaw's poor, and the derelict streets were ruled by the criminal underworld.</i><i> [...]</i><br />
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Trailer here (no English subtitles in this trailer, but we will have them at OKO screening):<br />
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<br />alekshttp://www.blogger.com/profile/14017484473597055832noreply@blogger.com0